Dholki Sangeet Mp3 Collection description
♦♦♦Dholkak Geet Famous Urdu Hindi Pashto Banglai Wedding Sangeet at Events Known as Dholkis. Collection
♦The dholki (Hindi/Urdu pipe or tube) is often a bit narrower in diameter and uses tabla-style syahi masala on its treble skin. This instrument is also known as the naal. Its treble skin is stitched
onto an iron ring, similarly to East Asian Janggu or Shime-daiko drums, which tenses the head before it is fitted. The bass skin often has the same structure as in ordinary dholak, being fitted on to
a bamboo ring, but sometimes they have a kinar and pleated Gajra, as seen in tabla, to withstand the extra tension. Sri Lankan dholkis have high quality skins with syahi on both sides, producing a
sound like a very high-pitched tabla and using a simplified tabla fingering. Steel tuning rings are not used - instead, wooden pegs are twisted to create a very high tension. The heads are created
with triple stitching to withstand tension. Similar dholkis are in use in Maharashtra and elsewhere. Heavy hardwood dholaks are said to produce better sound than those carved of cheap unseasoned
sapwood.
♦Similar drums with similar names are found elsewhere in western Asia.
♦The dholak (Punjabi: ਢੋਲਕ, Bengali: ঢোলক, Hindi: ढोलक; Dutch: dhool in the Netherlands and Suriname and Sinhalese: ඩොල්කි) is a South Asian two-headed hand-drum.
♦It may have traditional cotton rope lacing, screw-turnbuckle tensioning or both combined: in the first case steel rings are used for tuning or pegs are twisted inside the laces.
♦The dholak is mainly a folk instrument, lacking the exact tuning and playing techniques of the tabla or the pakhawaj. The drum is pitched, depending on size, with an interval of perhaps a perfect fourth or perfect fifth between the two heads.
♦The drum is either played on the player's lap or, while standing, slung from the shoulder or waist or pressed down with one knee while sitting on the floor.
♦In some styles of playing (such as Punjabi Mahendi Geet) an iron thumb ring is used to produced a distinctive "chak" rim sound. In other styles Rajasthani, all fingers are generally used.
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